Our corrupting world

Below is a highly laudatory review by Daniel Herborn that appeared 7 September 2026 on ABC online (where else?) of a YA (Young Adult) book, BAD QUEER. YA caters for children from 12 to 18 years. BAD QUEER was published in March 2026 by Allen & Unwin, which tells you what sort of publisher Allen & Unwin is and what sort of editorial team they have, which is likely to be 100% female.

The book, the publisher, and the (female) editorial team are yet another demonstration of how far Australia has corrupted from the standards, principles, moral outlook, language, and rationality that prevailed until around thirty years ago.

Mourn Australia and hope someone will have the backbone to take steps to restore our nation.

*****

Bad Queer by Gayathiri Kamalakanthan and Chi Nwosu tells affirming coming-of-age story

Daniel Herborn, ABC, 7 September 2026

Surya feels like a bad queer. When an ice cream man misgenders them, they stay silent.

A book cover for Bad Queer, featuring a drawing of a young Tamil non-binary person in a green beanie.
Kamalakanthan has said Bad Queer is about queer “futures & the worlds we’re building together”. (Supplied: Allen & Unwin)

“I pray for a sharper tongue,” they think when a classmate harasses them for not looking like either a boy or a girl.

Surya is the protagonist of Bad Queer, a young adult novel-in-verse written by London-based Gayathiri Kamalakanthan and illustrated by Chicago artist Chi Nwosu.

Coming into their final year at school, Surya has come out to their parents, who are queer and non-binary, and their close friend Maha, but not to everyone.

They’re also yet to have their first romantic relationship.

Read the rest HERE . . .

The inimitableTintin

I had a Tintin period between 1966 and 1976. In 1966, I started a French course at the Alliance Française in Sydney and thought the Belgian series would help. I was right. My first title was L’Affaire Tournesol, which I enjoyed immensely. I went on to buy 18 titles, all of which I have read several times. (NB: I divide my life into book/reading periods. At the same time that I discovered Tintin, I also discovered Asterix – for the same reason.)

Janice Fiamengo’s new book

The Goddess That Failed: Feminism’s Unending War against Men, Families, and Civilization Itself by Janice Fiamengo

Buy from Amazon HERE

Janice Fiamengo was once a true believer, completing a PhD with specialization in feminist literature and theory. Her reading as a university student convinced her that women had been unjustly oppressed for centuries, and that empowered women would lead their societies into a better future. Then she confronted the reality of female rage, false claims, the denial of merit, shattered families, and heartbroken fathers. She saw young men blatantly discriminated against in academic hiring. She came to see that feminism is a false god that leads women to hate by telling them that they are victims. She has spent the past decade alerting men and women to its dangers.

In these richly-supported chapters, Fiamengo shows why feminism has nothing to do with gender equality. It is a radical ideology that seeks sexual license, unearned economic privileges, and freedom from adult accountability for women. It enforces economic servitude, shame, and legal disempowerment for men. It impugns male goodness while excusing female wrongdoing; even worse, it encourages women to be their worst selves while telling men that they can never be good enough. Feminism thus destroys the very thing it claims to seek: true reciprocity between the sexes.

Buy from Amazon HERE

Spirituality and Modern Australian Fiction

I had not heard of Russell Guy before reading this essay. Two things strike me in this engaging reflection. First, he tells the story of the writer struggling to have his writing known in a time when ideology predominates over truth and worth. Second, he presents a rebalancing of the narrative about European settlement and its effect on Aboriginal people. The inevitable historical meeting was not one-sided, and Christianity is given its rightful place. I’ve noted the titles of his two novels with the intention of reading them.

*****

Russell Guy: ‘Two things of which I’m certain: a nation that rejects its Christian foundation will go the way of Great Britain, and fiction that focuses on the spiritual consequences of individual lives can effect its redemption.

Spirituality and Modern Australian Fiction

Russell Guy, Quadrant, Jul 08 2026

Adapted from talks given by the author at the Alice Springs Public Library and Winton Writers Festival in June 2026.

I’m interested in spirituality and modern Australian fiction because that’s how my writing has developed and been influenced. The last three verses of Henry Lawson’s ‘The Good Samaritan’, written in 1904, is, I believe, because he was so often desperately in need of one, a classic example:

‘Once on a time there lived a man,’
       But he has lived alway,
And that gaunt, good Samaritan
       Is with us here to-day;
He passes through the city streets
       Unnoticed and unknown,
He helps the sinner that he meets —
       His sorrows are his own.

He shares his tucker on the track
       When things are at their worst
(And often shouts in bars outback
       For souls that are athirst).
To-day I see him staggering down
       The blazing water-course,
And making for the distant town
       With a sick man on his horse.

He’ll live while nations find their graves
       And mortals suffer pain —
When colour rules and whites are slaves
       And savages again.
And, after all is past and done,
       He’ll rise up, the Last Man,
From tending to the last but one —
       The good Samaritan.’

Verse as good as any Bob Dylan has written.

In 1978, I wrote a story, published in Tracks surfing magazine, called What’s Rangoon to You is Grafton to Me. I adapted it to radio for Sydney’s 2JJ and it crossed-over to Radio National. Since then, it’s been pirated via the Internet and a perpetual link at the ABC.

Rangoon contains glimpses into New Age spirituality, with fragments of Christianity and Islam, as the anonymous protagonist, driving all-night from Brisbane to Sydney, ponders the Second Coming of “you know Who”, while jellyfish flap across the Pacific Highway in a nod to surrealism.

Read the rest HERE . . .

Lee Child’s critique of writing rules

Thriller author Lee Child sells millions of books per year. Few authors sell more books. I was immediately interested in the video below that challenges some of the rules most editors and book experts prescribe for beginning writers – and there are many on the internet – because I’m sceptical of some. One rule I think is overdone is the ‘show, don’t tell’ rule. Lee Child thinks so, too. This video is one of a series that Child has done for the BBC on writing.