This is a very good look at the recent developments in self-publishing and suggestions of how to manage them. The YouTuber is a successful self-publisher.
Something weird is happening in Self-Publishing.
This is a very good look at the recent developments in self-publishing and suggestions of how to manage them. The YouTuber is a successful self-publisher.
Something weird is happening in Self-Publishing.
I have had covers for two titles in my Sixties Series professionally designed. One is for Love in the Counterculture, which is due for release at the end of June 2026. The second is for The Counterculture Goddess, published in 2025 and revised in 2026, which I have just received.

I have also provided a character and other information sheet for readers. My plan is to provide a similar information sheet for all my fiction titles.
John Matthew Fox, of Bookfox, critically runs through Johnathan Franzen’s 10 rules for novelists, which have apparently infuriated many writers, even some of the best-known. I agree mostly with him. He dismisses 6 of the 10. The only comment I wish to make is on the claim that ‘Substituting then is the lazy or tone-deaf writer’s non-solution to the problem of too many ands on the page.’ Even worse is using ‘and then’. I say rubbish, bunkum and piffle to that. Listen to the way English-speaking people speak.
Alina, who has two degrees in literature that she doesn’t know what to do with, opens this video with the question: “Does anyone else feel like contemporary novels are written like we’re stupid?” She then proceeds to favour us with her views in a world-weary way that characterises her videos. It’s an interesting discussion – you hope it would be with two degrees – but a little too long and too focused on her demographic – twenty-something girls.
I don’t have much to say about her views because I don’t read contemporary novels. That’s mainly due to my being sick to death of the woke assumptions that are either in the foreground or the background. Now, Alina slings off at a right-winger like me (actually, I’m a Burkean conservative, but I rather doubt Alina knows what that is) who complains about the left-wing bias in contemporary novels.
She says political ideas are an essential part of literature. Well, they are, but that’s not the point. The issue is how political ideas are handled in woke novels and how they characterise their political opposition.
In the first place, they are assumed, which is intellectual surrender or, worse, the woke writer does not possess the ability to justify his ideas philosophically. In the second place, woke writers have no idea of the philosophical underpinnings of a competent, serious conservative writer. Such a philosophical defence is not imaginable.
The video below, providing writing advice for new writers, has scored 1.4 million views since it was posted 7 years ago. Alexa Donne doesn’t mince words, gives brutal advice to new writers who may be fantasising about their work, but is hilarious in doing so.
There are hundreds of YouTube channels giving advice about writing. The Bookfox channel is one of the better ones. In this video, advice for the first 20 pages of your novel is given.
*****
Unless you want your book to bomb, do THIS in the first 20 pages.
This is an edition of Joanna Penn’s highly regarded podcast. The section on self-editing begins at the 29-minute mark:
How can you improve your self-editing process? How can you find and work with professional editors and beta readers? How do you know when editing is done and the book is finished? With Joanna Penn.
From the Novel Marketing channel:
There’s a culture shift underway that most authors aren’t seeing. Even traditional publishers can’t figure out why their titles are resonating. If your book isn’t selling, it could be a cover or craft problem, but it might be a zeitgeist problem. In this week’s episode, you’ll hear from fantasy and LitRPG author Seth Ring. We discuss the biggest cultural shift in storytelling in two decades and what it means for your books.
Here’s another compelling video by Joomi Kim.
Katie Lumsden of Book and Things ranks Dickens’s novel across several tiers and categories. I pretty much agree with her final rankings except for OLIVER TWIST, which I would raise several places, and HARD TIMES, which I would drop several places. My criteria do not always align with hers.
The one category I would disregard is GENDER, which she should really name FEMINIST, because her interest is really only in how Dickens portrays women according to feminist gender theory. She really has little interest in male characters except to speak about toxic masculinity when, in her mind, it’s warranted or when they behave according to feminist notions.