Australia’s foremost white Aboriginal fake

The embarrassing pure-bred white man below is Australia’s all-time champion bull-artist, working a confidence trick that would have few rivals in the history of the world. It is white Aboriginal fake, Bruce Pascoe, author of the White-Aboriginal fairytale DARK EMU. How does he get away with it? Tony Thomas has an answer below.

Pascoe lap-lap

Bruce Pascoe’s Ever-Loyal Tribe

Tony Thomas, Quadrant, Jul 17 2025

With another fiscal year ticked over for Bruce Pascoe’s Black Duck Foods charity,  it’s time for another look at the Dark Emu cult. Why do Pascoe and his Dark Emu thesis of pre-colonial native farmers continue to thrive despite having lost all credibility?

Part I: Pascoe’s Pals at the Copyright Agency

The Black Duck charity must be Australia’s most unusual. It’s the tenant running Pascoe’s 60ha Yumburra Farm at Gipsy Point near Mallacoota. Black Duck picks up all costs for operations and spends cheerfully on improvements to Bruce’s farm. It plants, harvests and markets Bruce’s native seeds, to revive the alleged farming practices of pre-colonial Aborigines.

From inception in 2020 to June 30, 2024, the charity acquired $1.36 million from taxpayers and $1.24 million from tax-deductible donations, a total $2.6 million in free funds. By June 2024 it spent all but $220,000, including $149,000 paid in rent to Bruce, $82,000 to buy his old tractor and farmlet odds and sods, and close to $100,000 buying vehicles and their upkeep.[1]

Bruce emailed his his fans a year ago, “We urgently need your support… To be honest with you Black Duck Foods is currently living hand to mouth … we need your help to keep going.” (My emphases throughout). When the 2024-25 accounts emerge next January we’ll discover how the project’s getting on, or not getting on.

Black Duck’s $2 million-plus outlays since 2020 have generated total farm sales of only $80,000. Hardly surprising as it’s currently pricing its flour from native seeds at $180-360 per kg (depending on volume discounts and species), versus $1.30 for a kilo packet from Woollies today. Pascoe sells his yam daisy seeds for grow-it-yourself fans at 12 cents each.  Such tiny seeds run at about 30 per gram, so it’s expensive to scatter them by the handful.

Rather than proving the viability of pre-colonial farming, Bruce’s demonstration farm has proved the opposite. The lofty ambition of Bruce as a self-proclaimed Yuin, Bunurong and Tasmanian Aborigine is to convert Australians to native bread loaves and bulrush salads, while validating his Dark Emu thesis of pre-colonial farmer towns housing 1000 citizens apiece, or even, at Lake Condah, Victoria,  10,000 farm and fisher-folk. (Dark Emu, p75). Modern-day towns of that size include Broome, Katoomba and Castlemaine, thankfully all improved with sewerage, public servants, Coles for groceries and Kmarts for winter pyjamas.

The real question is how Bruce has got away with his thesis – rather, won laurels for it — for more than a decade.

Read the rest here . . .

Be afraid of flying

Females head up Australia’s two biggest airlines. One of those female CEOs has publicly stated that she will follow quota guidelines for recruiting airline staff, including pilots. Pilots will be chosen based on identity rather than competence.

Sorry, I’m not stepping onto a plane without knowing who’s flying it. That will probably never happen again.

The Myths of Indigenous History

Professor Nigel Biggar and Dr Stephen Chavura discuss the historical nonsense that is shoved down the public’s throats and is force-fed to our schoolchildren.

For examples of state indoctrination, there’s no need to go to Nazi Germany, the Soviet Union or Communist China. We have our own indefatigable Goebbelses, beginning with the government-funded ABC and SBS.

1960s

Mervyn Bendle’s series of three articles in Quadrant is of particular interest to me because the 1960s is the setting of my Sixties Series. The articles make interesting background reading for my series.

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Liza’s Journey: Australia in the Sixties  

Mervyn Bendle, Quadrant, Dec 06 2025

This is the first of three articles that tracks a young woman’s intellectual and emotional journey through the 1960s in Australia. It was inspired by the book, play, film, and TV series, Ladies in Black, set around Christmas 1959, which focusses on Leslie, a shy, naïve, bookish, and mousy 16-year-old schoolgirl who takes a summer job in the high-end fashion section at Goode’s, a prestigious Sydney department store, while awaiting her exam results.

An only child in a working class family, Leslie had excelled at school and looks forward to going to university, where she can study literature and pursue her dream of becoming a poet. At Goode’s she is befriended by the older sales assistants and becomes part of their lives, changes her name to a more poetic and feminine ‘Lisa’, is introduced to the many social and cultural changes happening to Australian society, and begins her transformation into a confident, stylish, and worldly-wise young woman. 

Or does she? This series of articles looks at the world that another fictional young woman, Liza (name changed for copyright reasons), might enter after she leaves her holiday job and begins literary studies at the University of Sydney. It briefly reviews the international scene at the height of the Cold War as it impacted on Australia, and the nature of Australian society as it left the conservatism of the 1950s and plunged into the radical changes of the 1960s. It then takes a more detailed look at life in Sydney at the time, including the activities of the ‘Sydney Push’, the bohemian vanguard of intellectual, cultural, and romantic life that flourished around the University, and into which any young aspiring poet and intellectual like Liza would have been drawn.

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Liza didn’t know what to make of it! It was if those exciting movies, The Wild One (1953) and Rebel Without a Cause (1955), had both come to life in Sydney! Kevin Simmonds was renowned as “Australia’s most fearless jail escapee whose Hollywood looks made him  a teen idol as he ran circles around police”. Kevin (right) had been in trouble with the police since he was 14 for car theft and burglary, and after several stints in Boys Town and a Youth Training Centre, he eventually spent two years in Goulburn Gaol. A talented singer and musician – he had even cut a few records – he charmed the magistrate into sending him there because of its music program and, he said, because he wanted to hone his skills so he could go straight when he was released. In reality, he just wanted to be reunited with a mate so they could plan the jobs they’d do when they got out.

Read the rest here . . .

Fighting the patriarchy

The frivolous spite of young women. The video below is remarkable for the opening scenes portraying young women describing their ways of attacking the patriarchy – their indoctrinated form of the patriarchy. There are thousands of videos like this across the internet. They pop up everywhere.