Some Reflections on the 1960s

MOST AUSTRALIANS born after 1970 could not be blamed for acquiring the impression that the 1960s were one long party of sexual abandonment, drunkenness, the defiance of authority, the Beatles and the Rolling Stones, British pop, anti-Vietnam protests, marijuana, hippies, flower-power and so on in that colourful style. One saying is that if you remember the 1960s, you were not there. A witty comment, but the small number abusing themselves to the state of memory loss are all long dead and in no position to make that boast. I can report first-hand, however, that this picture of widespread youthful abandonment is fanciful, designed to impress those who could not know better. In July 1960, I turned fourteen. I was in my second year of secondary school. My father carried his camera around with him, ever at the ready to shoot photos of his adored children. We thus have a pictorial record of those years when five of my parents’ six children were in their teens.

Until I left school at the end of 1963, my dear mother, with her keen sense of decorum, forced me to wear my school suit to formal occasions. I was particularly peeved that at seventeen, I had to wear my St Ignatius Riverview suit to my sister’s wedding in August 1963. On less formal occasions, my older brother and I wore a natty combination of navy blue blazer (which we called a reefer jacket), matching slacks, black shoes, and a white shirt with the indispensable thin black tie. Our hair was worn short, oiled and neatly parted, except for a brief period in 1960 when we tested my mother’s sense of respectability by hacking away at our hair until we sported a close-cropped hairdo like Murray Rose’s. Celebrated champion swimmer Murray Rose had again won gold at the Rome Olympics.

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Concocting history – the non-existence wars with the Aborigines

Robert Hill is at the forefront of those powerfully challenging the stories concocted by government-funded groups who are furiously rewriting Australian history. A curse on those institutions that ought to defend Australia but are collapsing like a house of cards. Australians need someone like Pauline Hanson to have the guts not only to defend the truth but to stop the colossal amounts of money going to the fat cats of the Aboriginal industry.

indig giles

The ‘Wars’ That Weren’t

Robert Hill, Quadrant, Jun 23 2026

Reports and Senate Estimates evidence suggest there is a “Frontier Wars” display being developed within the Australian War Memorial’s pre-1914 treatment, with  suggestions that the relevant pre-1914 gallery space may be around 400 square metres. The precise public plan remains difficult to identify, which is itself part of the problem.

There is no publicly available record that explains the evidentiary basis for the inclusion of such a gallery and its contravention of the AWM charter. No clear public criteria have been produced. No public account explains how the Memorial proposes to distinguish war from massacre, reprisal, murder, policing, punitive expedition, settler violence, food raiding, stock spearing or localised tribal conflict.

The War Memorial has attempted to justify the language of war on its own website. But in doing so it avoids the central problem. The Australian frontier was not a war merely because later writers called it one, or because violence occurred over a long period. On examination, the frontier does not meet the very tests the Memorial invokes: organised political violence, military purpose, identifiable belligerents, command structures, campaigns, warlike conduct against armed authority, or recognisable military outcomes.

The result is predictable. Something that was not Australian in any national military sense, and was not war in any ordinary military sense, is now to be memorialised without clear public criteria, without visible evidentiary justification, and almost certainly in a selective ideological form.

The Australian War Memorial is hosting a two-day conference on September 17/18 titled Imperialism and Resistance: Australia’s First Wars. It marks a profound institutional shift. The frontier is no longer being presented as a contested historical question. It is being framed as a settled conclusion. The conference appears designed to legitimise the illegitimate: to give institutional cover to a claim the Memorial has not publicly justified, and which sits uneasily with its statutory purpose of Australian military remembrance.

The title itself does the work: Australia’s First Wars.

Not frontier violence. Not colonial conflict. Not dispossession. Not massacre, reprisal, police action, local resistance or criminal violence.

“Wars.”

Read the rest HERE . . .

The suicide of a civlisation

‘Whiteness is the most violent fuckin’ system to ever breathe.’

The above is a declaration uttered by a ranting black activist in Joomi Kim’s video. It would be pointless to say, in reply, that one should survey the social status of the black population in America (there are abundant statistics), then survey the civilisational status of the black African states and then compare them with the countries of the West that are centuries ahead in every measure of civilisation.

In recent years, I have mused on the fact, everywhere evident, that I have the privilege of living during times of civilizational collapse. I must sit back of an evening and watch my kind destroying what took centuries to develop.

GetUp’s childish stunt courtesy of that fat skunk David Sharaz

The nasties at GetUp were no doubt running around like ants, clapping each other on the back for the ‘success’ of their latest stunt perpetrated by that fat weasel David Sharaz, suitably coupled with that less than truthful Brittany Higgins.

I’m sorry to break it to those Marxist nasties, but nobody but them cares. Ho-hum, GetUp is at it again. I doubt anyone remembers what was on the screen as it slowly rolled down while Sharaz was being filmed fiddling with his mobile phone. Sharaz, like the stinking skunk he is, scurried out of the room shortly after.

No, everyone is asking how Sharaz and his mates got into the venue to set up the stunt. They had colluded with someone. You can’t just walk into a venue like the National Press Club and casually set up a stunt that relies on electronics without being seen. ABC people, anyone?

I dare to say that the stunt has backfired. GetUp! has demonstrated again what slithering Marxist snakes they are, and Pauline Hanson had another crowd of Australians flocking to her cause.

David Sharaz, get lost, and do something useful like going on a diet. What a contemptible pair Sharaz and Higgins make.

‘Diversity is our strength’ – Australia’s Marxists at the ABC and SBS

‘Diversity is our strength’ is incoherent. It’s a political slogan dreamt up by the left to support their dominance. Unity is a nation’s strength and is won by agreements. Agreements cannot be established between people who hate each other or who are incompatible with the foundational agreements of unity.

Auntie Lisa’s first Welcome to Country

Lisa Jane Spencer has suffered a monumental mob attack since her recent satire on Aboriginal identification. Fortunately, she hasn’t caved in. Indeed, she’s determined to push on, as the reel below demonstrates.

I commented previously that her parody was based on accurate evidence. The rules for Aboriginal identification are so loose as to require a mere feeling of being Aboriginal. Check the rules if you don’t believe me. In support, I have included two photos below of Marcus Stewart, who claims to be Aboriginal and played a major role in the agitation for a ‘Voice’ to the Victorian parliament.

I don’t know what possesses Marcus Stewart to make such a fool of himself. I would die of embarrassment if I performed this charade.

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The real Marcus Stewart

Marcus Stewart in dress-up, including the souvenir shop fur.

No satirising white Aboriginals – protected species

The Daily Mail report, 9th June 2026.

Comedian who appeared in satirical video as an Aboriginal woman sniffing petrol reveals she has been fired from her job as she blasts the clip being removed under a copyright claim.

A comedian who sniffed petrol while mocking an Indigenous woman claims she was fired from her job for the offensive skit.

Lisa Jane Spencer, a satirist from Melbourne, has faced massive backlash online, along with a surge of several thousand followers, after posting a controversial video pretending to be an Indigenous woman.

The original video featured an ‘SBS Insights’ fake logo at the top, causing the clip to be the subject of a copyright strike on Thursday.

Read the rest HERE . . .